DPRK علاقه ای به تشدید اوضاع ندارد زیرا همه تلاش خود را برای ساختن یک قدرت اقتصادی هدایت می کند. "سخنگوی این سخنگوی با بیان اینکه استاندارد زندگی پیونگ یانگ افزود و برای این منظور بیش از هر زمان دیگری به وضعیت پایدار و جو صلح آمیز احتیاج دارد. سرزمین اصلی. مسئله اصلی برای شمال این است که با وجود ظهور طبقه متوسط و مشکل اجتناب ناپذیر نابودی خلاق که با اقتصاد بازار آزاد همراه است ، تهدیدی برای وضع موجود خواهد بود ، رژیم حاکمChina ROUND HEAD STUDS Company این کشور می داند که باید از جلو خارج شود. از مشکلات اقتصادی این کشور برای کنترل کنترل و حفظ اعتبار در بین جمعیتی که به طور فزاینده ای از شکاف بین شرایط زندگی آنها و کسانی که در کره جنوبی رقیب سرمایه داری و اصلاحات پس از اقتصاد چین آگاهی دارند آگاه است. اما این بیانیه دوباره به حالت متناقض بازگشت و متهم کردن سازمان ملل متحد در تلاش برای ساختن قطعنامه ای در مورد تحریم ها با هدف اقدامات خصمانه مانند جلوگیری از تلاش های ما برای ساخت و ساز مسالمت آمیز اقتصادی و پیشرفت مردم این دموگرافیک قادر به خرید کالاها و خدمات بیشتر است ، به یک چرخه تقاضا و عرضه که توسط افراد صاحب فکر و تجارتی برطرف می شود که با دولت چشم بسته می کنند و یا به نوعی حمایت می کنند ، غالباً در بازگرداندن سود. و متحدانش از عقب نشینی و اجازه می دهند كه آنها توجه خود را به سمت رشد اقتصادی صلح آمیز سوق دهند ، همانطور كه رهبر كیم جونگ اون در سخنرانی سال نو خود قول داده است. "
Investigators also suspect him of making cash payments totalling 140,000 euros to Gabriel Dolle, a doctor for the IAAF until last year who has also been charged with corruption, the source said.Following his arrest in November, Diack resigned from his position on the International Olympic Committee, where he had served as an honorary member.Diack, 82, denies making the payments. He has already been charged with corruption, money laundering and conspiracy along with his legal advisor Habib Cisse and Dolle.It is these suspicions that led to the new charges being laid against Diack, who was seen by an AFP reporter at the High Court in Paris on Monday accompanied by his lawyers.The Senegalese is suspected of turning a blind eye to doping cases, notably involving Russian athletes, in exchange for money. Lamine Diack French investigators on Monday hit former IAAF president Lamine Diack with new corruption charges linked to doping cover-ups in world athletics, a source close to the inquiry said.Davies stressed in the email that any Russians already caught cheating "should NOT" be in the Russian team in Moscow and that this should be made clear to Valentin Balakhnichev, then president of the Russian athletics federation and IAAF treasurer.Diack’s lawyer Daouda Diop did not respond to attempts to contact him, while another of his representatives, Alexandre Varraut, refused to comment.Report claims IAAF delayed naming Russian drug cheatsIAAF officials plotted to delay revealing the names of Russian doping cheats ahead of the 2013 World Championships, according to a report on Monday.Davies reportedly sent the email to Papa Massata Diack, who worked as an IAAF marketing consultant at the time and is the son of Lamine Diack.Lamine resigned from his position on the IOC in November after being charged with corruption, money laundering and conspiracy.The report on the BBC’s website claims to have discovered an email from IAAF deputy general secretary Nick Davies that discusses the plan to keep Russian athletes using drugs out of the spotlight until after the event was over.In the email, which was sent just weeks before Moscow staged the 2013 World Championships, Davies wrote he needed to sit down with the anti-doping team to discuss "Russian skeletons in the cupboard".French investigators on Monday hit former IAAF president Lamine Diack with new corruption charges linked to doping cover-ups in world athletics, a source close to the inquiry said.The Senegalese national served as head of the International Association of Athletics Federations China All Stainless Steel Sealed Type Blind Rivets Company for 16 years until August, when he was succeeded by Sebastian Coe.
This year’s festival focussed and showcased the work of directors under forty. Akshara and Studio Safdar in Delhi, Jagriti in Bangalore, G5A in Bombay are all directly or indirectly inspired by the naiveté, stubbornness and blind ambition of Arundhati Nag. By and large they watched supportively but also with a certain pessimism. As a concept this was revolutionary. There are very few opportunities where directors from across the country get a chance to engage with other directors. end-of. Its creation created a thriving theatre centre in the south of the city, away from the ‘posh’ Alliance and Chowdiahs. Yet strangely, the venue is slowly emerging as one of the most ‘modern’ venues in the world. In that one snapshot, it summed up all that Ranga Shankara has achieved. In the west many old buildings, such as churches are being repurposed as theatres; and almost always they are converted to small prosceniums with a raked audience. The multiple lighting positions allow for excellent angles. The first one was held last year and went to Abhishek Majumdar. The programming is now incredibly discerning and not restricted to just the performances it hosts. This is not to say that Ranga Shankara is a perfect space. The foyer is huge, but for some reason has always retained a slightly impersonal atmosphere. If the house is not full, there is a faint echo that comes from the sound bouncing off the flat surfaces. Over fifty people sat in rapt attention for three hours as Anmol Vellani expertly guided the discussions. But any idea, no matter how well-intentioned, takes time to develop.Ranga Shankara has always been a well-intentioned building. Representational picture Among the many significant theatre movements in the country is the establishment of Ranga Shankara Theatre in Bangalore. But once it was built, it woke the fraternity up to the fact that building venues is a possibility. It has its own share of problems. While it was built as a thrust, it is more a proscenium. These are small spaces dedicated to non-commercial work. Arts appreciation programmes, well-curated festivals for adults and children, and excellent commissioned projects like Boy with Suitcase have all lent it credibility. The building of Ranga Shankara, as it is commonly known, also heralded an era of ‘theatre building’. And the large stage allows for grand sets. Now, 11 years after it opened, the venue is finally finding its real place in India’s theatre environment. As part of the ancillary programme, there was a round table discussion with these directors about their processes and where theatre was heading. The discussion was closed with RS’s commitment COPPER/STEEL SEALED TYPE BLIND RIVETS Company to continue this tradition as an annual feature. So in a way, the Ranga Shankara was well ahead of its time. Everyone watched from afar as Arundhati Nag strived and struggled to make her dream a reality.Among the many significant theatre movements in the country is the establishment of Ranga Shankara Theatre in Bangalore. The turnout was surprisingly large. The main space is not as cosy as its fellow small venues. The festival culminated in the presentation of another Ranga Shankara initiative, the Shankar Nag Young Theatre Award, to a director/creator under frty. Its grid allows for aerial work and scenery bars. This was fascinating, energising and informative. Since Ranga Shankara, there have been numerous spaces that have come up across the country. In India, in its role as a small proscenium, it is unique. The rake of the seats is very pronounced and to reach the last row, performers have to tilt their heads up to an unnatural angle. This year, India’s greatest living playwright, Girish Karnad, flanked by the tour-de-force Arundhati Nag and India’s greatest social commentator Ramchandra Guha handed the award to the brilliant Mohit Takalkar. We all ‘sell’ our plays to one another, and more often indulge in rant sessions about the common problems, but rarely do we actually engage in what excites us about the theatre and how we go about making it. In the building there is the silliness of the dysfunctional trap door and revolve stage. It was built with the right idea, and the programming was aimed at providing audience interesting, arresting and a high quality of theatre. There is no question that the place has done magical things for the locality and theatre fraternity; providing a home for non-commercial work in English, Kannada and even Hindi, which has resurged in Bangalore thanks to the venue’s regular programming
متأسفانه ، آنچه ما در عوض شاهد آن هستیم ارتقاء فعال اندیشه غیر منطقی و فرقه گرایانه توسط کارمندان مهم دولت است. "آنها در بیانیه ای که به صورت آنلاین منتشر شده است ، گفتند:" "همان جو عدم تحمل و طرد دلیل است که موجب شده است آنها گفتند: "ما دیدگاه باریک و مخرب هند را که می خواهد دیکته کند که مردم چه چیزی را بپوشند ، فکر کنند ، بخورند و چه کسی را دوست دارند ، رد می کنند." ما دانشمندان اکنون به صدای ما پیوستند تا ادعا كنند كه مردم هند چنین حمله هایی را به عقل ، علم و فرهنگ كثرت ما قبول نخواهند كChina ALL STAINLESS STEEL MULTI-GRIP TYPE BLIND RIVETS Companyرد ... آنها از همه اقشار دیگر جامعه خواستند كه صدای خود را در برابر "حمله به عقل و خلق و خوی علمی که در کشور شاهد آن هستیم ". آنها گفتند: "آنها گفتند: به طور مشابه ، دابلخار و پانسار با مبارزه با خرافات و ایمان کور ، مزاج علمی را ارتقا بخشیدند. آنها گفتند که قانون اساسی هند در ماده 51 الف (ح) ، بخشی از وظایف اساسی را طلب می کند. دانشمندان و دانشگاهیان از جمله گیرندگان پادما بوشان ، اشوک سن ، نخست وزیر باقاراوا و پ بالرام ، گفتند که کالبورگی در ادبیات واچانا وابسته به دوازدهم است. باساوا ، اصلاح طلب سنّی ، كه مخالف دین نهادینه ، كاست و تبعیض جنسیتی بود. " برای یکدیگر در حالی که جشن ها و سالگردهای همه ادیان جشن می گرفتند. "این وحدت و صلح اکنون به واسطه ی اعمال ناشایست ، حملات به مینو مختل شده است. گروهی از دانشمندان رئیس جمهور را علیه عدم تحمل در این كشور درخواست كرده بودند كه دريافت كننده Padma Bhushan ، اشوك سن از جمله كسانی بود كه نگرانی خود را ابراز كرد (عکس: توییتر) گروهی از دانشمندان از رئیس جمهور درخواست كرده بودند كه در برابر عدم تحمل در کشور چنای: پس از آنكه گروهی از دانشمندان از پراناب موكریج رئیس جمهور پرستش علیه عدم تحمل در كشور خواستند ، بسیاری از افراد شركت كننده به اعتراض خود پیوستند كه ابراز نگرانی از "راه هایی كه دانش و عقل از بین می روند.
Each painting in the series tells a separate story but within a continuous narrative located in his personal history as well as in the larger shared experience of Punjabiyat. ROUND HEAD STUDS Narratives — grand and intimate, have always been the basis of Indian art traditions; mythological, hagiographic or didactic, the images tell stories of gods, men and women. Sidharth adds to and transcends this tradition in his new series Kathakari that is based on his life and the characters that populate it. This space is peopled by voice-pictures created by his narratives, folk and Pauranic both, mediated through this dancing-singing old man who lived in the village Shivalaya.In art and literature both, language communicates with the viewer/reader, and in Sidharth’s works, the Katha becomes the locus around which multiple symbols, characters and icons interplay to create layers of meanings and interpretations without compromising on the universality and holisitic harmony in his works. The tree, like the still centre, is unmoved while the cycle of linear and cyclical time moves on; birds nest, children play in its branches (like Krishna playing out his lila) and mother-father sit in its shade performing their karmas as they weave dreams.Another work Dyal Das paints a picture of the teller of stories, who in the vein of the seers of yore, is blind and yet whose stories can see through the veils of maya that is reflected through the blue-grey colour of the backdrop. The title refers to a hymn by Guru Nanak evoking nature, which instructs, nurtures, and provides the epos of human engagement with the past, present and future. And, then, there is the story of his sister-like-friend Aashi who flew to Canada after she married; who as a young village girl playing with dolls and dreams and as a middle aged woman becomes a repository of memories of people and places she left behind. — Dr Seema Bawa is an art historian, curator and critic Narratives — grand and intimate, have always been the basis of Indian art traditions; mythological, hagiographic or didactic, the images tell stories of gods, men and women.Prakriti or nature itself becomes a character from his life story, like the neem tree in the painting Pawan Guru
اندیشه غیر منطقی و فرقه گرایانه توسط
کردن مغز بادام سرو کنید. این چیزی است
This year’s festival focussed and showcased the work of directors under forty
Investigators also suspect him of making cash payments
ساختن یک قدرت اقتصادی هدایت می